书画装裱不简单其中几要素
书画装裱总起来可概括为：根据画件实际情况与要求，确定装裱形制及装式；保护书画与装饰书画相结合；恰当处理装裱与书画之间的宾主关系。将上述原则渗透到各道工序之中，其质量要求便是评品的标准。有人简称为平、软、薄、光四个字。
一、裱工精细：镶缝及各种接缝相等。画心与镶料裁切齐准，不伤画意。印章、落款不走形。天地杆配装合适包粘紧实。砑背光亮。整个裱件厚薄适度、柔软手感好。
二、舒展大方：裱件的尺寸，长宽比例合理，既要考虑人们的观赏习惯，又要适合陈列的要求。
三、色调谐调：画裱之后，要有整体感。冷（蓝、绿、紫等色）暖（红、橙、黄等色），适度，深浅得当。
四、平整洁净：画心光洁不沾污，色无脱落，墨无洇散。关于裱件平整与否，是人们谈论最多、接触最广，至今尚未得到圆满解决的“疑难症”。单从观赏效果讲，平整与否，能够说明装裱水平的某些方面。但是，从理论上进行分析，平与不平不能代理装裱质量的全部。首先应该平整所产生的影响。除此之外，气候的作用更不可低估，还有收藏问题。这几方面因素，均可以导致裱件出现不平整，因此，当裱件不平整时，应作科学分析，既不片面问罪于客观因素，也不能一概而论装裱不佳。鉴于此，平整如板保持不变的裱件是极少见的，一般讲前后弓翘10度左右的裱件，都属于平整范畴之列
（英文版）
Painting and calligraphy mounting in general can be summarized as: according to draw a practical situation and requirements, to determine the shape of framed and mounted; combining protection painting and decorative painting; properly handle mounting and the calligraphy and painting between host and guest relations. The principle of penetration into the various processes, and its quality requirements is the standard of evaluation. It is referred to as flat, soft, thin, light four words.
A fine, mounted the work: set joints and joints are equal. Painting and inlay material cutting together, not to hurt the painting. The seal and the signature does not take shape. The world is the right pack sticky tight bar. Think back light. The whole mounts with moderate thickness, soft feel good.
Second, stretch generous: mounts a size, length and width ratio is reasonable, it is necessary to consider people's viewing habits, but also suitable for the display.
Three, color harmony: painting mounted after a whole sense. Cold (blue, green, purple and other colors) warm (red, orange, yellow and other colors), moderate, appropriate depth.
Four, smooth and clean, tidy and clean color painting, no loss, no ink Yin san. A mounting member level or not, is the most talked about, contact the most extensive, difficult disease has not yet been satisfactorily solved "". From the ornamental effect, smooth or not, can explain some aspects of the level mounting. However, from the theoretical analysis, and the inequality is not the quality of all mounting agent. First, the impact of the formation of the level should be. In addition, the role of climate more can not be underestimated, as there is a collection of problems. These factors can lead to paperhanging appear uneven. Therefore, when paperhanging uneven when, should make a scientific analysis, neither one-sided obsequies on objective factors, cannot treat as the same mounting poor. In view of this, the formation, such as plate remains unchanged paperhanging is extremely rare, generally speaking before and after the bow Alice about 10 degrees mounting parts, all belong to the category of smooth
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